Yet if so much of our thinking and feeling is connected with seeing, some residue of visual emotion which is of no use to either painter or to poet may still await the cinema. That such symbols will be quite unlike the real objects which we see before us seems highly probable. Something abstract, something which moves with controlled and conscious art, something which calls for the very slightest help from words or music to make itself intelligible, yet justly uses them subserviently — of such movements and abstractions the films may, in time to come, be composed. Then, indeed, when some new symbol for expressing thought is found, the film-maker has enormous riches at his command. The exactitude of reality and its surprising power of suggestion are to be had for the asking.
–Virginia Woolf, The Cinema (1926)
pea river journal 
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